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	<title>etalks.tv &#187; The Arts</title>
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		<title>UK Graffiti Artist Banksy at the Viennale</title>
		<link>http://etalks.tv/blog/2010/10/19/uk-graffiti-artist-banksy/</link>
		<comments>http://etalks.tv/blog/2010/10/19/uk-graffiti-artist-banksy/#comments</comments>
		<pubDate>Tue, 19 Oct 2010 21:01:59 +0000</pubDate>
		<dc:creator>etalks.tv</dc:creator>
				<category><![CDATA[Best of the Web]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[The Arts]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[Banksy]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Graffiti]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[stencil]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[Viennale]]></category>

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		<description><![CDATA[Banksy, the anonymous millionare graffiti artist whose art can be seen on walls and galleries worldwide, presents his movie “Exit Through the Gift Shop” at this year's Viennale film festival in Vienna.]]></description>
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<td width="600">Rare Video Interview with UK artist Banksy by Reuters</td>
</tr>
<tr>
<td width="600">Speaker:</p>
<ul>
<li>Banksy, UK Graffiti Artist &#8211; <a href="http://etalks.tv/blog/2009/11/11/banksy/" target="_blank">Bio</a></li>
</ul>
<p>Banksy, a European Graffiti Artist whose art can be seen on walls and galleries worldwide, presented his movie<a href="http://www.banksyfilm.com/" target="_blank"> &#8220;Exit Through the Gift Shop&#8221;</a> at festivals in Britain and the US earlier this year. Now he&#8217;s presenting his documentary in Vienna at the Viennale film festival. If you don&#8217;t know the artist or his incredible work, visit his website <a href="http://www.banksy.co.uk" target="_blank">www.banksy.co.uk</a>!</td>
</tr>
<tr>
<td width="600">About the Movie &#8220;Exit Through the Gift Shop&#8221;:</p>
<p>In the late 1990s, a hybrid form of graffiti began appearing in cities around the world. Enlisting stickers, stencils, posters, and sculpture and spread by the burgeoning Internet, it would be labeled “street art” and establish itself as the most significant counterculture movement of a generation. Los Angeles–based filmmaker Terry Guetta set out to record this secretive world in all its thrilling detail. For more than eight years, he traveled with the pack, roaming the streets of America and Europe, the stealthy witness of the world’s most infamous vandals. But after meeting the British stencil artist known only as “Banksy,” things took a bizarre turn. (<a href="http://sundance.bside.com/2010/films/spotlightsurprise_sundance2010" target="_blank">sundance.bside.com</a>)</td>
</tr>
<tr>
<td width="600"><em>Weblinks:</em></p>
<p><a href="http://www.banksy.co.uk" target="_blank">www.banksy.co.uk</a></p>
<p><a href="http://www.viennale.at" target="_blank">www.viennale.at</a></p>
<p><a href="http://www.youtube.com/watch?v=GTlm6dU2xHk" target="_blank">Trailer of &#8220;Exit Through the Gift Shop&#8221;</a></td>
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		<title>Unlimited Inspiration – Space in European arts and culture</title>
		<link>http://etalks.tv/blog/2009/11/25/sally-jane-norman-newcastle-university/</link>
		<comments>http://etalks.tv/blog/2009/11/25/sally-jane-norman-newcastle-university/#comments</comments>
		<pubDate>Wed, 25 Nov 2009 20:04:51 +0000</pubDate>
		<dc:creator>etalks.tv</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Space]]></category>
		<category><![CDATA[The Arts]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[atv]]></category>
		<category><![CDATA[curiosity]]></category>
		<category><![CDATA[espi]]></category>
		<category><![CDATA[European]]></category>
		<category><![CDATA[human]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[image]]></category>
		<category><![CDATA[institutions]]></category>
		<category><![CDATA[Newcastle]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[university]]></category>

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		<description><![CDATA[ESPI - Space-related Art can provide an important contribution to finding a common European identity]]></description>
			<content:encoded><![CDATA[<p><img src="http://etalks.tv/wp-content/plugins/flash-video-player/default_video_player.gif" /></p>
<p>13. 11. 09 &#8211; European Space Policy Institute, Vienna</p>
<p>Contributed by etalks.tv</p>
<p>Organized by <a href="http://etalks.tv/espi" target="_blank">ESPI</a><br />
_____</p>
<p>Speaker: <strong>Sally Jane Norman</strong>, Newcastle University &#8211; <a href="/?p=435">Bio</a></p>
<p>_____</p>
<p>The Arts provide us with a new perspective on space and identity. Sally Jane Norman shows some fresh and inspiring pieces of art, which relate to European space activities. There is extraterrestrial art like figures moved by Russian cosmonauts in space and there are earthbased installations like the sonification of solar natural radio. In addition to that, Norman presents some European art institutions, dealing specifically with space in the arts for decades.<br />
_____</p>
<p>See more Space Art @ the ESA&#8217; financed Space Art Database:</p>
<p><a href="http://www.spacearts.info/" target="_blank">http://www.spacearts.info/</a></p>
<p>_____</p>
<p><strong>Literature:</strong> Zero Gravity Art by Daniel Canogar / Sally Jane Norman:</p>
<p>[amazonshowcase_cf3fa0d9a7b65b3b08ebbe75aafb9aef]</p>
<p>Daniel Canogar (born Madrid 1964) lives and works in Madrid. He studied visual communications and received his Master&#8217;s in photography from New York University and the International Centre for Photography in 1990. Daniel Canogar&#8217;s work has long dwelt on issues of immersion and realism, of corporeal images and sensations, of light instrumentalized to reveal figments and traces of visual matter. His consistent use of photography undermines and transcends simple questions of photographic realism, through play with variable scales, obsessive pseudo-repetition and disconcerting projection procedures and surfaces.</p>
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